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Here​-​ings: a sonic geohistory (2002)

by Steve Peters

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1.
low hum and crackle of power lines lightning illuminates the void between horizon and clouds a nighthawk calling and diving calling and diving wings slicing the darkness a freight train's horn answered by yipping coyotes in the east and by their kin to the west soon joined by a chorus of local dogs then mourning dove then mockingbird's midnight song
2.
a long, miraculous stretch of absolute silence beneath icy full moon glow no cricket, coyote bat or train or even wind nothing but the body's living sounds breathing swallowing digestion nervous system roused suddenly by the phantom hiss of great, gliding wings an owl, perhaps
3.
subliminal, alien drone like distant frog pond chorus mating spadefoot toads? a startled dove bursts from its roost rudely awakened many crickets chirp in the damp grass wary hound, anxious rooster the trains never sleep the mysterious drone remains
4.
crickets sparse humming softly in the grass setting scattered stars to song a bird emits a single peep and a dog barks starting a chain reaction across the mesa in deepest night all the word seems to sleep yet a few crisp snaps of something unseen falling leaf, or small creature scuttling in the grass a nighthawk plunges into deep space
5.
one cricket, very near starts/stops starts/stops the ringing of countless others their high overtones hung like mist in the air buzz of electricity, and ultrasonic blips of bats in flight twice a quick rodent darts across the path skittering into brittle undergrowth no sound of wind or falling stars
6.
the world awakens, one bird at a time first a nighthawk calling and swooping overhead and another across the meadow then a towhee, quite close a dove, two jays another towhee and more then multiples of these echoing over fields and hills as crickets fall slowly silent in the warming sun coyotes howl, then the dogs neighbors stir, and a train rumbles away
7.
an exuberant chorus of many layered voices joyful cacophony westbound freight takes its time fading into silence, and the birds go quiet in its wake a few crickets linger, then nothing stirs but shadows in the grass soon another train not as long, headed east
8.
a rowdy gang of piñon jays clatters past a gaggle of giggles, a whir of wings old man crow is serious, dignified no time for games or silliness a pair of kingbirds do their mating dance flapping and screeching with desire mockingbird spins endless variations not a hermit thrush, but meadowlark
9.
steady, insistent cry of townsend's solitaire heep...heep...heep...heep...heep... an occasional crow, jay or other small bird one of them lands nearby wings and air wind softly rattles pine needles and grass bringing the long, low whistles of trains neighbors go about their living children's laughter, slamming doors
10.
gusting wind articulated by ponerosa pine's graceful needles as low rumble of distant ocean waves curious scrub jays flap and scream in surrounding piñon trying to provoke a response cranky ravens wheel high above clucking and cawing their disapproval patches of midnight adrift in azure sky the gentle arc of a jet a lonesome train whistle a persistent towhee in the end, only wind
11.
the birds come to see the odd, human thing neither rock, nor tree, nor cholla standing dead still in midwinter morning sun they fly in close, curious and bold darting about, fluttering and clucking trying to make sense of it getting no reaction they lose interest and resume their morning routine flickers peck at gray juniper limbs their hawkish cries tossed on the breeze a flock of juncos twitter in the brush
12.
a stray sheet of newspaper rustles in the wind bearded grass drums upon its surface giving it rhythmic purpose here reading the weathered words not as litter, but as lovely music the grass itself barely audible all the more beautiful for that a piñon jay pecks busily at dry wood then calls out suddenly summoning hidden comrades to convene and observe
13.
a hush falls upon the land at midday but for the wind murmuring low a very few sounds come it seems, from a long distance a dog, a crow, a jay the voices of children across the hill a single jet makes little disturbance even the trains are at rest
14.
two dry juniper branches scrape gently against each other their delicate abrasions random, pleasingly melodic a lone raven calls to no one in particular the collective whisp and rattle of grass becomes, at ground level, many distinct voices a gift of juncos, meeting in the old tree their peeps changing abruptly to blips
15.
sandhill cranes gabbling high above invisible in autumn's blue depths a pair of crows shout at each other across the open field snapping red-winged grasshoppers describe a series of brief arcs, from there to there their smaller kin lie hidden discreetly hissing in the black grama the lanky stalks tremble and sigh as a dozen piñon jays stir the air
16.
a strong wind conjures aeolian music from power lines and fence wire howling through juniper, and thrashing the dry winter grass jays chatter across the meadow as the gale grows stronger and a droning airplane intones harmonic gliss across the sky
17.
late afternoon, stillness several birds a sudden riffle of wind five intermittent grasshoppers one of them, gnawing at a leaf surprisingly audible a pair of indecisive crickets a few itinerant bees and 255 flies
18.
a hush, almost sacred as evening settles into twilight clouds shifting in shape and color pale moon frosted in lavender mist distant power lines glow, ropes of golden light strung elegantly to the horizon richly mingled overtones of train and jet the delicate rhythm of a lacy green moth fluttering its wings
19.
songs of solitary birds in flight dove, hummingbird, nighthawk, jay deep rumble of clouds colliding in the southern sky wind whisps through juniper and tall grass gathering velocity as the storm approaches thunder cracks sharply overhead four or five crickets rasp steadily grasshoppers, flies, birds behind them finally, light rain spatters on earth, grass, and stone
20.
the sky fills with hovering nighthawks blown in upon the monsoon's crest the trees mumble and moan, as thunder builds slowly in the gathering clouds electricity reaches across the darkened sky and rain shifts from drizzle to downpour its thrumming patter upon roof and ground and musical ping on each metal surface rises to crescendo, then subsides as the storm rolls onward
21.
doves roosting in the light's last fading their mournful cries and wheeping wings a hummingbird hunting for nectar deep throb and nervous twitter the nighthawk's persistent, piercing call stops suddenly as it hovers, then falls astonishing hum of air through feathers as it pulls from its dive, hurtling skyward
22.
cricket cricket cricket cricket cricket cricket cricket cricket cricket cricket cricket cricket TRAIN-TRAIN-TRAIN-TRAIN-TRAIN-TRAIN-TRAIN-TRAIN-TRAIN cricket cricket cricket cricket cricket cricket cricket cricket cricket
23.
not quite silence but stillness, in spite of trains a few crickets widely dispersed two neighbors singing in crossed rhythms piñon and juniper seem to whisper as if windblown yet no branch trembles nor a single tuft of grass
24.
a deep, molecular emptiness hangs in the air time holding its breath an owl calls from afar barely rising above the thin, black line of silence a dog barks, once a train whines at the cusp of audibility drifts seamlessly into jet noise and dissolves in the midnight sky

about

A site-specific project created at THE LAND/an art site, a forty-acre art park in central New Mexico dedicated to low impact, land-based art.

Twenty-four hours of field recordings were made over the course of one year at various places on the site. These were edited down to a 72-minute sound collage, mixed with contact microphone recordings of various things encountered at the site such as grass, cactus, trees, ants, and wire fences.

Short poetic texts evoking the sounds heard during each recorded hour were engraved on stone and steel listening benches that are placed permanently on all of the recording locations (see Lyrics on individual track notes for the related texts).

The piece has also been presented in various configurations as a gallery installation.

credits

released July 12, 2002

Composed, recorded, produced, and written by Steve Peters

Photographs by Margot Geist

Book designed by Michael Motley, edited by David Abel

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about

Steve Peters Seattle, Washington

I make music and sound using field recordings, acoustic instruments, found/natural objects, electronics, and voices. Much of this work is site-specific or place oriented. Thank you for listening.

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